Because I was an only child Mam and Da did everything they could for me and when I showed signs of musical ability they arranged for me to take piano lessons with old Mrs Jenkins in the village. Da even managed to find a beat up old upright piano which took pride of place in the parlour.I loved our cottage with its strong grey stone walls and dark slate roof — it looked as if it had grown in the valley rather than something men had built. It was a warm and cosy house with its large open fireplace in the parlour and the old fashioned range in the kitchen. The house always seemed to smell of freshly baked bread, and this is a smell that always takes me back to those happy days of my childhood. Mam was a bit of a gardener too, and the garden up to the house from the gate in the dry stone wall that ran along the road for miles was always a riot of colour. Mam didn't go in for fancy plants, just those that had always been a part of the traditional cottage garden — hollyhocks and. The InterviewI contacted the producer then had a meeting a few days later. It was a simple script with straight-ahead production; the way it was written I was playing-off of the producer/main actor and just reacting to what he said and did. That made it pretty easy. A short summary is that we are partners or lovers and I was arrested for shoplifting, the police released me into his custody. Of course I protested the charge and continued to do so as he took me ‘home’ to ‘our’ small farm. By then he’d made up his mind that I needed a good dose of discipline – if I was guilty it would be punishment – if I was innocent (which he didn’t believe) the truth would come out. Either way he figured that a damned good spanking would clear the air.I was told to continue protesting my innocence and, especially between the car and being taken into the barn (woodshed) I was to cause a struggle. It could be as real as I wanted but…he was to win out in the end.Once in the barn I would be restrained.
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