Anam Khan Tango (17.11.20)
Obviously, you are free to proceed as you please and I’m grateful that you would read any of them at all. But you will get a much fuller and more rewarding picture if you follow the stories along their natural progression. PROM is the first series, and while it is a little choppier (in my opinion) because it was my first effort, it is the main story from which the others are branched. So things will definitely be a little confusing (and surprises/themes ruined) if it is skipped over. PRELUDES is the follow-up and it deals with a crucial stretch of time that led to where Prom began. It weaves the two series together and fills in a lot of missing details and untold storylines that help explain how the events of Prom occurred and why Rachel may have acted in the ways that she did. Now, for those of you who are all caught up, welcome back! SENIOR WEEK (as you can probably guess) deals with the week following the end of Rachel’s senior year of high school. As Rachel attempts to move on. Permanent marking really got him off. This got my fertile mind spinning in high gear. Need = opportunity = $. To make a long story short, it wasn't long before I was procuring "subjects" for the CO, through the SpecOp Marine. Mostly they were villagers, always female, varying ages, never children. Nameless souls whose sudden disappearance would draw little to no attention in a country ravaged by war. Usually they would leave the CO battered and beaten, but there were times when he got a bit, shall we say, carried away with the freedom at hand, and the SpecOp would have a body to dispose of. For my end of it, I got linked up with a solid seemingly endless, and highly protected source of Hanoi gold, which I was able to turn around at a huge profit. While this was really sweet, it was the connections all this established which would come to serve me even better after the war. My service to Uncle Sam over, I slowly drifted stateside, (taking the better part of three years), via.
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