SWEDISH GIRL DP

It was thegrandaddy of the modern Walgreen's, a store with a pharmacy in back androws of greeting cards, magazines, candy, gifts and other sundries packedtightly into limited display space. Unlike a modern Walgreen's though,Porter's was equipped with a genuine soda fountain, complete with stoolsand a row of booths. It looked like something out of Grease. My newfriends and I would not have looked out of place had we wandered inwearing Bobby socks, poodle skirts, and ponytails to the sounds of Elvison a jukebox.The five of us slid into a single booth. I was on the outside of the sidewith three girls, a feat that we could never have accomplished in our oldbodies. Even with our expanded asses, we managed to fit reasonably well.Then we deviated from the fifties atmosphere by ordering Diet Cokesinstead of the sodas Porter's still offered.I tried to keep my mind on the conversation, but it wasn't easy. Themajor topic of the day seemed to be the clothing we had all looked at,followed closely. The routine wasn't hard to think up. I'd just adapt a scene from "MyraBreakenridge." That was easy but doing it was much harder.We'd hired a chirographer and two strippers, to help me work it out.We spent most of the first day just deciding how to get me to the stage.I loved Racquel Welsh but when I did it her way, I still came outlooking manly. So we added a tightrope walk to it and it worked outbetter. You know, one foot in front of the other.That done, it was easier to workout the rest. I was thankfully onlydoing one song and that was it.But we filmed all the trials and tribulations of the rehearsals.We started on Monday and after working on it twenty to thirty times aday before the bar opened, and spending the day at the beauty parlor, Iwas ready for my two minutes of fame on Thursday.Soon we were wrapping things up with another week of horseback ridingand camping.This would give us a few moments to finish out thoughts and backgroundscenery for the credits.While the movie was.
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